The Business of Theme Parks
By Sam Vaknin
palma[at]unet.com.mk
http://samvak.tripod.com
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War
- especially coupled with a globally sluggish economy - has a contradictory
effect on the consumption of entertainment. Disposable incomes plummet
curtailing the sales of medium to big ticket items such as cruises and
resort vacations. But people - besieged by anxiety and bad news - also
wish to be diverted. As the conflict rages, they stay indoors and tune
in. Home entertainment booms. But once physical insecurity abates, consumers
go out in full force mobbing movie theatres and theme parks, making up
for lost time and frayed nerves.
A Solomon Smith Barney report, published in December 2002, concluded
that large cap entertainment stocks plunged by 32 percent during the
previous skirmish in the Gulf. Stocks of destination travel sites
and cruise lines took an even harsher beating, plummeting by 52
percent - this despite the counterintuitive resilience of amusement
parks to military and political unrest.
In anticipation of the next round of fighting, these stocks are
trading at valuations below even the traumatic tail of 2001. Though
quicker than other types of equity to recover postbellum, this holds
true only for short and decisive conflicts.
Analysts often monitor the performance of theme and amusement parks
to divine trends in the industry as a whole. This would prove
impossible in Europe where the culture of theme and entertainment
grounds is still in its infancy.
Denmark has Legoland and Tivoli. France boasts the recently
recovering Disneyland, Vulcania and Futuroscope. Germany has
Phantasialand. Italy sports Gardaland. Spain joins the continent's
minimal offerings with Port Aventura and Terra Mitica. The Dutch De
Efteling spent the last decade "Americanizing" its facilities.
Only the United Kingdom has more than a smattering "pleasure
beaches" and "worlds of adventure". A recently mooted Dracula
theme
park in Romania was shot down by irate citizens and an overweening
bureaucracy. "New Europe" is no better than "Old Europe"
when it
comes to entrepreneurship.
In both market penetration and spending per visitor, Europe is at
least a decade behind the USA. Indeed, the eerie paucity of theme
parks is symptomatic of the generally moribund, rigid and hyper-
regulated economies of the European Union. The continent has less
than half America's number of parks per 10 million denizens and one
third its visits per head per year.
Only 20 major European attractions garner more than 1 million in
annual attendance. Another 50 or so attract less than 1 million
patrons. With revenues of c. $2 billion, Europe's parks combined
amount to one third the sector in the USA and underperform many
parks in Asia as well.
European firms are still woefully primitive when it comes to
marketing and educating their public. According to the Economic
Research Associates, a consultancy, venture capital is rare and
usually squandered by developers on wages and other "soft",
non-
productive costs. Management is inexperienced and peripatetic.
In Asia, theme parks are considered the magic pill. Japan has Disney
World and the Tokyo DisneySea Park. Disney is slated to open a giant
franchise in Hong Kong in 2005. Mainland China is eyeing the
experiment favorably. Universal Studios countered by inaugurating a
themed playground in Osaka in 2001 and by embarking on three
feasibility studies in China.
From Jakarta, Indonesia (the Taman Ria amusement park) to Vietnam -
everyone is climbing on the bandwagon. There seems to be a dearth of
American interest in Europe despite its far higher purchasing power
and the existence of a single business address - the European
Commission.
Theme parks are multifarious businesses. They provide work to
thousand of small suppliers in a virtuous ripple effect. Hosting and
gaming experts, marketers, managers, on-site employees, suppliers of
logistics, food retailers and caterers, entertainers - all benefit
mightily from the presence of such grounds. The park's brand is
often parlayed into trinkets, toys, clothes and souvenirs sold by
locals to tourists, both domestic and foreign.
Destination travel is a growth sector.
The International Association of Amusement Parks and Attractions, a
trade group, reported that worldwide park attendance was up one
quarter between 1991-2001 to 319 million people. During this decade,
revenues perked up by 50 percent to almost $10 billion annually.
This was largely due to a rise in per capita spending within the
grounds from $23 to $30. Returns on - usually massive - investments
are impressive even in saturated markets such as the United States.
The profitability of theme parks frequently balances losses spawned
by more glamorous bits of entertainment groups. Amusement grounds -
themed or not - are astoundingly immune to geopolitical upheavals.
Attendance in Disney's US parks declined by only c. 5 percent during
the 1991 Gulf War. Even September 11 failed to dent it measurably.
EuroDisney is partly to blame for the scarcity of themed parks in
Europe. For many years it was perceived, quite correctly, as an
insatiable white elephant gulping rivers of red ink. Reality moved
on but impressions - fostered by smug pundits - lasted. Wary
investors and governments throughout the Old Continent confined
themselves to the mostly family-operated "garden parks"
and "carnival grounds" built during the 1960s and 1970s.
The truth is that Disney's Parisian adventure is flourishing. The
entertainment behemoth is planning to invest c. $540 million in Walt
Disney Studios, an annex of the French outfit. This is projected to
add 5 million visitors to the current 12.
Another satisfied investor is Six Flags. The operator recently
expanded to Mexico and Europe where it runs the six sites of the
former Walibi Parks and Movie world, an erstwhile Warner Bros.
property in Germany. It soon added a Spanish Movie World to its
portfolio. Non-US operations already account for 15 percent of its
sales.
But these are the exceptions that prove the rule. Europe is staid
and serious. It prefers indigenous high-brow culture to American low-
brow imports. Or so the French would have us all believe.
Sam Vaknin ( http://samvak.tripod.com
) is the author of Malignant Self Love - Narcissism Revisited and After
the Rain - How the West Lost the East. He served as a columnist for Global
Politician, Central Europe Review, PopMatters, Bellaonline, and eBookWeb,
a United Press International (UPI) Senior Business Correspondent, and the
editor of mental health and Central East Europe categories in The Open Directory
and Suite101.
Until recently, he served as the Economic Advisor to the Government of
Macedonia.
Visit Sam's Web site at http://samvak.tripod.com
Published - December 2005
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